It's almost like I have to throw myself out of the nest. My youngest, Stella, is starting USC in August, in two weeks. I'm single, and lonely, and bored, and confused - but then at the same time, totally curious. She later starred as Barbara Marx in The Night We Called It a Day (2003), and has appeared on the television series Nip/Tuck, Raising Hope, and Hawaii Five-0.
She told People magazine: "I'm having a very introspective time right now.
Isn't that the thing I'm not really looking, I'm just being, and I figure if I'm meant to have another relationship, I will, and if I'm not, then I won't." The 'Working Girl' star - who has a 19-year-old daughter, Stella, with Antonio, as well as Alexander, 30, and Dakota, 27, from previous relationships - admits her life has changed a lot of the past few years and she's trying to embrace it.
Griffith's subsequent performance in Something Wild (1986) garnered critical acclaim before she was cast in 1988's Working Girl, which earned her a nomination for the Academy Award for Best Actress and won her a Golden Globe.
The 1990s saw Griffith in a series of roles which received varying critical reception: she received Golden Globe nominations for her performances in Buffalo Girls (1995), and as Marion Davies in RKO 281 (1999), while also earning a Golden Raspberry Award for Worst Actress for her performances in Shining Through (1992), as well as receiving nominations for Crazy in Alabama (1999) and John Waters' cult film Cecil B. Other roles include in John Schlesinger's Pacific Heights (1990), Milk Money (1994), the neo-noir film Mulholland Falls (1996), as Charlotte Haze in Adrian Lyne's Lolita (1997), and Another Day in Paradise (1998).
Griffith appeared in advertisements and briefly worked as a child model before abandoning the career, citing extreme shyness as the reason. This drew attention to her and typecast her as a nymphet in films such as Smile, The Drowning Pool (both also 1975), and One on One (1977).